I don't have anything interesting to post.
Actually, I wrote a song about the recent protests which I think voices my opinion on the state of my country in my own way. I just don't have the stuff to record it though, which makes me very very sad. It makes me so sad I decided to make a drink and forget about it all for the night.
Here is an unintentional little still life. I've been thinking a lot about things and thingliness as well. In my mind I imagine a project whereby I photograph and document every single item I own. The stupidity and the overwhelming weight of these things, their history, and how little my life means in the context of these objects fascinates me. I used to study art history, and in a sense I can see how much and how little our things say about us. In this picture:
A cut glass very like my family's old antique set from on of my maternal grandmothers. This is not one of those as mother decided we shouldn't use them anymore. These I think she bought on impulse at some estate sale or antique store. I like them a lot.
Inside the glass is the drink I made tonight. I decided to drink some of the absinthe I bought. The absinthe is green, and usually I avoid the green varieties except the clerk at the new liquor store I found (which sources violet liquor, St. Germain, and maraschino) insisted I buy this one instead because he likes it better. He took nearly twenty dollars off of the tag to entice me to switch brands, so I did. He is right about the taste. It's very good. Anyway, I decided to prepare it in the modern pyrotechnic fashion. Then for no reason I decided to drip some violet liqueur into the bottom so it would have a neat little shadow underneath. Mercifully this tastes very good. Oh, and I used some Perrier instead of tap water because our tap water tastes terrible. I thought the carbonated water might be unpleasant with absinthe but it's definitely not.
Behind the glass is a sort of tiered candy plate that folds up when not in use, and some books that I could probably part with.
To the right is a little sculpture some one gave me as a gift of the fountain from Bosch's Garden of Earthly Delights and the card that went with it. I like it. I'm not much for kitsch or display, actually. Even as a child I didn't really appreciate toys.
There's a ribbon laying across the shelf with a Texas charm on it. If I had to guess I'd say that's my mother's. She's much more of a hoarder than me. I typically keep only things I use and things that are simply waiting with me while I live-- mausoleum garbage.
Also in the photograph I can see a little ceramic bowl I bought at a craft fair because I'm very fond of ceramics. The bowl can not be used for food because the glaze is leaded, but I used to keep a bit of water in it to display a glass egg that had a beautiful translucent shade when wet. Since I have cats now, I can't do that.
After writing all of this, I have almost finished the absinthe in that glass. I'm amazed by how buried I am in hateful little objects!
It would be nice to start clean; but that would also represent such a loss. I love some of our old things, the family portraits and stupid junk. Still, things left in a room like this one, they take a deathly air don't they?

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ReplyDeleteYour still life--'specially given the lyrics--reminds me of Waits' Soldier's Things. Go fig.
ReplyDelete... and I should do that with my spam. Frame it and laugh. Far more realistic, anyway, than my occasional fantasy of buying a plane ticket to Russia or China or whatever, hunting down the bastard running the botnet, and installing him forcibly in his own server rack.
Presumptuous-ish question I probably shouldn't really even ask, but will anyway: when you say you don't have the 'stuff' to record, is this that the wetware is balking, or you don't have the physical 'stuff'?
Mostly academic question. I guess. I've experienced both conditions. Right now, me, it's the former. But that's probably mostly temporary.
I'm good to go. If I wasn't so damned phobic I could play live as I'd be willing to play pretty much everywhere and have my own setup for live stuff.
ReplyDeleteIt's the recording equipment I don't have. My old (very old) computer finally died and my laptop's sound card won't deal with the pressure of audio recording).
I need a lot of new things, and new software too. Saving up for it, but as I do I wonder if it isn't better just to pay for a studio and take my whole vacation. I'd like to make at least one set of better produced stuff (though I'm not that great at it).
I was working with other people for a while, but that fell through. So it's just me and the piano right now.
Re affording/buying s/w: I've been able to do an awful lot on free software. Dunno if it's generally available for stuff other than Linux, but I use Ardour for non-destructive multitrack editing (mixing, effects--it's actually pretty insanely powerful, once you get to know it), Audacity for spot editing audio (does this very well, really doesn't do anything else very well). Rosegarden does lovely sequencing, and there's a pile of soft synths and GPL'ed sound fonts on that side if your much into MIDI.
ReplyDeleteThe plugins you can get for Linux audio editing, honestly, however, tend to be a bit chintzy. Tho' there's a new set out now from a new group called CALF which seems a fair bit better than I'd been hearing, however. Decent reverb and echo stuff, anyway, which is usually what I'm using. Chorus isn't bad, at least.
Re initial recording: my laptop is the same for recording (Thinkpad--awful interrupts, worse audio even when they don't make a mangle of latency), so I use a little Tascam thing called a DP-004 for the actual capture (it's like a 4-track that goes to an SD card, dedicated for that so latency isn't at all an issue, and was cheap at around $100 used), then I can export each track as .WAV and do later post work on the laptop quite well enough (when I have to--I do have a decent desktop that's a little less painful for that).
Re phobic, yeah, live. What can ya do. I always think I'm going to be fine right up until I actually try it.
I'm fine once I'm there. Little awkward, but fine. It's initiating anything that gives me the angst.
ReplyDeleteThanks for the advice. I had an oooold fostex that I used for a long time. That's the main thing that I need to replace, and the computer. I have an old version of cubase that I should upgrade because I have a lot of plug-ins that are pretty cool from a friend who, for various reasons, isn't in my life anymore.
Bleh... hey... wait a second. I didn't know you made music. I is it online anywhere?
I always get put off by something. The perverse thing: it's not usually folk who aren't into it--I can live with that. Hey, whatever, have a beer; it's all good.
ReplyDeleteNo, it's more usually the terribly *intense* guy sitting and standing right *there*, right in front, going like, wow, dude, that's like, got *soul*, or whatever...
... and then I'm like: great. So then, shortly coming up after that there actually kinda alarming declaration is where I disappoint you...
So like I said: perverse. I think the awful truth I've been too slowly discovering over my entire lifespan thus far is: I mostly don't actually *like* people. Not actually in person. Really, I much prefer them in the abstract. They can give me lyrics, ideas, stories, be characters, provide a nice backdrop, whatever, that's all good. Just stop being so damned meaty and weird and actually corporeal. And stop breathing so loud. It's distracting.
More seriously: Cubase is a stage past my level of seriousness, I think. Tho' I only recently discovered just how scary powerful audio mixing and sequencing on plain ole' commodity machines had become, so I dunno. I'd been recording with a friend back when 4-tracks had cassettes in them and were too frequently awful and fuzzy and noisy and scratchy and tinny and you had to work like mad to get anything half nice out of them (when you say old Fostex... are we talking that old?). Anyway, I'm still kinda pleasantly in shock about this whole thing. Give me something like Cubase, I'm more than half afraid I'd wind up in hospital after inadvertently starving myself in front of it or something, mixing and messing around to no purpose for weeks on end... Eventually work would call, ask if perhaps I've died, and where they should send the flowers.
Anyway, yeah, I've some stuff online. Collected a small pile here . Most of it's just bits of sequencer fluff done while travelling, some cues from some video I did (I figured, I have a sequencer and some softsynths right here, and *everything* needs a soundtrack, dammit), but the three labeled 'Pop-Folk' are more involved and mostly more recent, actual audio and analogue instruments, guitar and voice and bass and actually involve lyrics. 'The Steps of the Sun' is the latest--mostly recorded and mixed late last month, early this. Standard warning: I don't so much consider myself at a professional level on any of this stuff, but anyway.
I like it. Have only had a chance to listen to a couple. Your voice reminds me of some one... oooh... I'll have to think about it for a sec.
ReplyDeleteThanks, too kind, y'know.
ReplyDeleteRe my voice: funnyish thing: was just saying over at PZ's re how to keep going when you're just not into it...
I'm no master of this, exactly, but I do get by. I think. And that's the maybe sorta funny story:
Had someone say about my stuff, recently: 'Geez, you're voice sounds so weary, in this.' And yeah, honestly, in some of 'em, I'd grant, that's kinda weird/doesn't even particularly fit the song...
But when you're just making yourself do it *anyway* against a current trying to tell you not to bother, and this is like take 30 with melody idea 28 and the third evening you've managed to squeeze out half an hour for a few takes at like 1 am, weary is probably the only channel you're gonna have available, I'm afraid.
(/I don't really do covers. But I should probably cover something normally done incredibly bubblegum-pop-esque, just for the odd flavour would almost certainly emerge.)
It's a nice voice, I think it's the guy from tindersticks that i'm thinking of, particularly their first self-titled release. Well I did a totally unproduced recording of myself on my iPhone this morning, just to get the shape of the song down. It's something at least.
ReplyDeleteTindersticks. Sweet.
ReplyDeleteMore seriously, re the iPhone sketch, I'd say something all morning-person like 'Great, that's so awesome!', but ya know, in my experience, at the fragile first stages, that's like the last fucking thing I need to hear, actually.
(/...So, actually, instead, I'm not gonna say anything. Maybe just blink and sorta quietly nod.)
Well, hmmm... tell you what. I'll try to be brave and post it if I can.
ReplyDeleteDone.
ReplyDelete